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Art

To end GOD’S JUDGEMENT

Antonin Artaud, Stephen Barber (ed.)

Radio Works: 1946–48

Everything must be arranged to a hair in a fulminating order.

Artaud’s work is performative in the sense that it never simply describes, but actively produces the events it enacts. As Austin characterises performative language, ‘the issuing of the utterance is the performing of an action’.3 Artaud’s work, performed correctly, is magical, finding its power in ritualistic chanting. Intonation is key to this, recalling what he wrote about metaphysical language in The Theatre and its Double, where the aim is ‘to deal with intonations in an absolutely concrete manner, restoring their...

literature
radio

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Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them. ABO DE FR

Michele Pedrazzi

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza? OPEN
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What is the problem with solutions? Blind or deaf? Which faith? What knowledge? Duchamp or Warhol? East or west? OPEN
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A coffin to bury the statues of the ancestors

Clémentine Deliss

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo… OPEN
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Eric Baudelaire

A for Anomie

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game.

A for Anomie

The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.

Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.

B for Block or Blocked

If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...

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Soham Gupta

When life’s hard, time’s a motherfucker going slow

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways.

ABO DE FR

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News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Mathilde Arnoux (ed.), Maria Bremer (ed.): Westkunst, 1981

Mario Schulze (ed.), Sarine Waltenspül (ed.): String Figures

Eduardo Jorge de Oliveira: Invented Skins

Liliana Gómez (ed.), Fabienne Liptay (ed.): Eco-operations

Anna Kipke (ed.), Iryna Kovalenko (ed.), ...: Drafts in Action

THINK ART? THINK ART!

Monograph

Around a sculpture by Alberto Giacometti

Does this buried or lost face have a name?

Georges Didi-Huberman, Mira Fliescher (ed.), Elena Vogman (ed.)

The Cube and the Face

Anthology

Zur Kritik der Wirksamkeit in den Künsten

In den heutigen Praxistheorien spielen Dinge und ihre Materialität eine prominente Rolle. Dinge gelten als ausgesprochen wirkmächtig, insofern sie als...

Kathrin Busch (ed.), Burkhard Meltzer (ed.), Tido von Oppeln (ed.)

Ausstellen

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Monograph

Studien zur Bildlichkeit des Films

Filmbetrachtung hat es zunächst mit materiellen Sichtbarkeiten zu tun, mit Bildern, die dem Blick gegeben sind, bevor sie zu erzählen...

Fabienne Liptay

Telling Images

Topics

Autofiction—Metafiction
- autobiography
- memory
- autofiction
- Theory of fiction
- fiction
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- image and imagery
- monochrome
- color
- chromatics / colour science
- semiotics and semiology
Observing the Spectator
- mirror
- optical illusion
- observer
- gaze
The Subject of Capitalism
- capitalism
- cognitive capital
- migration
- subjectification

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Slavs and Tatars

Why the Backwards Smile?

To what extent can a revolution of the inner world impact the external, material world surrounding us?

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Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

The key to survival will lay in female hands.

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performance
body
spiritism
feminism
ceremony
colonialism
Africa
ritual

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»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.« ABO DE

“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Dan-el Padilla Peralta

it seemed like we’d just been in some horrible dream OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Books

Donatien Grau, Sylvère Lotringer: I Was More American than the Americans

Dieter Mersch: Epistemologies of Aesthetics

Alena Lepishava (ed.), Zmicier Vishniou (ed.), ...: НЕТУТЭЙШЫЯ: REVERSION

Camouflaged with a visual language

Malte Fabian Rauch

Where the Negative Holds Court

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?”

What Reena really wanted to know was why – in a night club, for example – do we chose, always and above all, that nothing happens?” Many ventured to explore this wasteland, our present, in recent years. But cartographing a void is delicate matter. It is a blank space; it demands new methods. Representation is not among them, having proved too imprecise an instrument. One group went further than most others: drawing lines, mapping grounds, testing waters. Their lines introduced...

ABO

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